Curator-Led Private Tour of Free Radicals
Date: 9 June 2026 (Tuesday) Time: 6pm-6:45pm Venue: Goethe-Institut, 14/F Hong Kong Arts Centre, 2 Harbour Rd., Wanchai, Hong Kong Registration required, free for members & current students, $100 for non-members Medium: English/ Cantonese It was a private tour of the exhibition “Free Radicals: New Expressions From an Untethered Generation,” which marked the curatorial debut of our alumna Enid Tsui. Inspired by the biochemical concept of “free radicals”—highly responsive, free-floating molecules—the exhibition spotlighted three talented young local artists: Bethany Man, Elizabeth Li, and Aidan Ng. Through deeply personal and emotionally charged work, they demonstrated how agility helped them maintain their artistic freedom amid geopolitical, climatic, and technological shifts. Enid is the Arts Editor at the South China Morning Post and author of Art in Hong Kong: Portrait of a City in Flux. Co-curated with Kim Lam (Parallel Space), the show explored how a new generation navigates a changing world. All three featured artists presented alongside Enid to share insights into their works.
Curator-led Tour: Ha Bik Chuen’s Motherboards & Collagraphs at Para Site
Date: 19 July 2025 (Saturday) Time: 11am-12:15pm Venue: Para Site, 22/F, Wing Wah Industrial Bldg., 677 King’s Road, Quarry Bay, Hong Kong Medium: English Registration: required, free for members & current students, $100 for non-members Speaker: Dr. Michelle Wun Ting Wong (Independent researcher and curator) On a sunny summer morning, just before the typhoon arrived, alumni-cum-curator Dr. Michelle Wun Ting Wong walked us through her latest exhibition "Reframing Strangeness: Ha Bik Chuen’s Motherboards and Collagraphs" at Para Site. Developed from a chapter of her doctoral thesis on the life and work of a Hong Kong artist Ha Bik Chuen, this exhibition refocuses on Ha’s printmaking practice through a beautifully orchestrated display of tangible objects. Dr. Wong shared with us how the vision of this exhibition was realized over the course of 2 years. It was an ideal learning opportunity for those who were not just curious about Ha Bik Chuen, but were also keen to know more about the curatorial aspect of the show.